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Slowly pieced together from early 2006 until it's release in early 2008, "infinitarium" was quite an undertaking. This album features the largest ensemble of instruments I've used on one album, yet most songs feature sparse arrangements utilizing only 3 or 4 instruments plus vocals. At the time of the recording I was listening to a lot of late 70's post-punk, like Wire and Gang of Four, as well as a lot of 90's indie rock, like Pavement and of course Modest Mouse, and a lot of early Bowie. These influences resulted in a nice mix of dynamic, fast moving songs with some weird chord progressions at times. A

This album felt like a huge step forward. It was around the time I really began listening to obscene amounts of music. My influences were expanding almost too fast for my musical skills to keep up with. Also, I was learning drums during the recording of this album. I feel like, prior to "Tomorrow & Tomorrow & Tomorrow," this album was my strongest thematically. For the most part everything keeps tying back to the same themes. You can even imagine that the album tells a story from beginning to end, minus the side step that is "Dinosaurs." To this day this album contains some of my strongest songwriting. A-
This album flows together musically so well. The lyrics seem amateurish to me now, however. I'm so glad I made this album though. There are a lot of great moments, and it helped me prove to myself that recording albums was a viable goal. Now, four years later, there's so much I wish I could go back and tell the me of then. This album is a time capsule to me, and I'm proud of it. C+